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Facets

Last week I signed two new print editions at Santo Press. That makes them the 47th and 48th editions printed by Brent Bond since our collaboration began in August, 2015. I know that is a record for both of us! I wouldn’t have been able to be this prolific without Brent’s expertise and hard work on my behalf. There are at least 5 more editions in “the queue” and I think I will be signing them very soon. Like next week!

The first print, Facets (blush) was printed in an edition of 50 for the 2017 Mesa Contemporary Art Museum’s 8th Calendar. It is a 2-color photopolymer relief with laser-cut woodblock. The 2017 Calendar will be available December 9 through the Mesa Contemporary Art Museum’s website. If you pre-order now, you get off $5.00 of every calendar purchased. It is a great way to collect prints by local artists and to support the museum.

The second print is Facets (B&W), edition of 10. Facets (B&W) is a one-color photopolymer relief print.  $80.00

Facets (Blush)Facets (blush), 2016; photopolymer relief with laser cut woodblock; edition of 50; 7.5″ x 6″ image on 11″ x 9″ paper

 

Facets (B&W)Facets (B&W), 2016; edition of 10; photopolymer relief; 7.5″ x 6″ image on 11″ x 9″ paper.

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Circle Swirls: Drawing and Linocut

My newest relief print is based on the drawing “Circle Swirl” from my Patterns of Obsession series. Printed in an edition of 10 by Brent Bond at Santo Press, it is another laser-cut linocut. It amazes me how precisely the laser-cut can be on the linoleum’s surface. I am pretty thrilled with how it turned out. Soon I will be adding a digital color layer to the print making it into something else entirely. Can’t wait to get that started! It’s going to be so much fun to see how it evolves with color.

First, the drawing:

Circle SwirlCircle Swirl; 2016; graphite on Stonehenge paper; 16″ x 16″ image size; 22″ x 22″ paper size. POR

And the print:

Circle Swirl by Janet Towbin Circle Swirl; 2016; Laser-cut linocut; edition of 10; 16″ x 16″ image size; 23″ x 22″ paper size. $400.00

And here is a little teaser for you…my computer rendering (it’s a work in progress–the specific colors may change) of how I intend to add color to the print. Keeping my fingers crossed it will compare to what I can do in Photoshop.

 

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Hot Off the Press!

Yesterday was a busy day in the studio for me. I worked on three new plates and proofed them. Two of the three came out great and will soon be printed in editions. The third (not shown) needs a little more work–a minor adjustment here and there before it makes the cut.

I am still considering whether or not to add color to these two prints, but for now you can see how they look in black ink as they were proofed.

Here are the plates all inked up and ready to print:

2 New Plates art by Janet TowbinLeft plate: NetSquared; Right plate: Solar Mum

 

The first proofed print you see below is from a photograph I digitally solarized. It was posted to this blog a few weeks ago. If you are interested you can see both the original mum photograph and the digitally solarized versions here.

This is what it looks like as an etching:Solar Mum photopolymer etching by Janet TowbinSolar Mum (proof); 2014; Photopolymer etching; 8″ x 8″

I am very pleased with the Solar Mum print in black ink and will edition it as seen.  It might also look great with some added color.

This second print was created from an ink drawing on acetate. It, too will be printed in black ink–but my plan is to add some background color using chine collé.

NetSquared photopolymer etching by Janet TowbinNetSquared (proof); 2014; Photopolymer etching; 8″ x 10″

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