Blog Archives

Mandala 2 (Leaf)–A Variable Edition

Presenting a variable edition of a hand-painted laser-cut relief print. The image is based upon a mandala drawing of the same title. It is currently on view with 24 other drawings and paintings at Mesa Contemporary Art Museum in my solo exhibit, Patterns of Obsession

Mandala 2 (Leaf); graphite on paper; 22 x 22 inches; 2018

There are currently 5 hand-painted prints in this variable edition (as shown below) and they are available to purchase for $750 each.

I plan to paint 5 more…in the meantime, I am also working on a 5-color reduction print with Brent Bond at Santo Press. I will post images of that soon. 2019 is off to a good start!

Mandala 2 (Leaf) VE 1; Hand-painted laser-cut relief print; 22.5 x 22 inches; 2018

 

Mandala 2 (Leaf) VE 2; Hand-painted laser-cut relief print; 22.5 x 22 inches; 2018

 

Mandala 2 (Leaf) VE 3; Hand-painted laser-cut relief print; 22.5 x 22 inches; 2018

 

Mandala 2 (Leaf) VE 4; Hand-painted laser-cut relief print; 22.5 x 22 inches; 2018

 

Mandala 2 (Leaf) VE 5; Hand-painted laser-cut relief print; 22.5 x 22 inches; 2018

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1967/Swirl

The 1967/Swirl print is complete. It is a “companion” to my larger 1967 Swirl painting from the Sixties Paintings series. The print is a 2-color laser-cut linoleum block printed by Brent Bond at Santo Press. Stay tuned–there may be a few more prints in this Psychedelic series. Plans are in the works for some small editions using decorative chine collé papers.

1967/Swirl is 11 x 14 inches on Hahnemuhle paper 15 x 17.5 inches; printed in an edition of 30. It is available for $250.

 

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New Print! Feather Flower–Red

This is the first in a series of three prints. It is a one-color relief print completed this week by Brent Bond of Santo Press. Another laser-cut linoleum block, Feather Flower–Red was hand-inked and printed in an edition of 10. The second iteration in the series is being printed now and should be ready to be signed in a couple of days. It is a 2-color print in vivid colors of cobalt blue and chartreuse. The third edition will be a 3-color reduction print. Flower Feather–Red is the 64th edition Brent and I have completed in just 2 years–setting a world record, I think. We are on fire!

Feather Flower–Red is available for $400 (unframed).

Feather Flower–Red; 2017, laser-cut linoleum relief print, 16″ x 16″ on Stonehenge paper 23″ x 22.5″, edition of 10, printed by Santo Press.

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Back to the Sixties

It’s been an extremely busy couple of weeks for me. I’ve a new series of works in the “pipeline” inspired by designs and colors found in psychedelic art from the sixties (and seventies). I’ve always loved the swirling lines, trippy designs with day-glo dazzling, vibrating colors that make your eyes go wonky.

The images I am working upon came from one small drawing that I’ve manipulated ad nauseum like I always manage to do. I have decided upon a total of three patterns (1966, 1967 and 1968) that will comprise a suite of large paintings. A variety of other designs will be used for assorted drawings and prints.

I began this series with a 2-color laser-cut relief print (1966) to see if I liked the concept well enough to go for it. Turns out, I liked it just fine. 1966 will also be done in a variety of relief print iterations. One I am excited about is a tie-dye version.  It’s on the schedule for next week at Santo Press and I can’t wait to see the edition. We’ve only done a couple of proofs and are still tweaking it, but it will look very much as the image below shows.

The first in the series of what I hope will be 3 large paintings, 1967 provided me a very steep learning curve and a good reminder of the wisdom behind the saying use it or loose it. Quite frankly, I haven’t painted in a very long time–and it took me a while to get my painting hand back in shape. After spending over 40 hours painting, I think I’m just about back to my desired skill level.

The next problem I had to sort out was which painting medium to use. I wanted to get the flat, matte paint surface of gouache (I love gouache), but didn’t want to deal with the various problems associated with using that medium on a large scale painting. After a bit of research I discovered a product made by Turner (a Japanese company) called Acryl Gouache. It is a water soluble, acrylic-based paint that handles like gouache and looks exactly like gouache when dry, but allows you to overpaint areas without disturbing the bottom layer of paint–which is a huge benefit over gouache. Plus, once it dries it is impervious to water–yet another benefit. It took me a few trial runs, but I got the hang of it and think it has given me exactly the look and finish I wanted.

Here are a few images of the newest work in my studio.

Travel back to the sixties with me!

1966, 2-color multi-block laser-cut relief print, edition of 50, 8″ x 7″ on paper 11″ x 9.5″, 2017

1967, acrylic gouache on paper, 32″ x 32″, 2017

1967 (detail), acrylic gouache on paper, 32″ x 32″, 2017

1966, archival digital print with laser-cut linoleum block, edition of 10, 8″ x 7″ on paper 13″ x 11″ 2017

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