This one is so new it is not even signed yet! Just printed and published by Brent Bond and his marvelous and incredibly busy Santo Press, this 3-color reduction lino print was both laser-cut and hand-cut. It also has some offset hand inking using sheets of wrinkled wax paper.
While trying to come up with an unusual background texture for this print, (and many failed attempts) I was inspired to create an unusual way to crease the wax paper. It dawned on me that I could try creasing the wax paper the same way silk is creased to form wrinkles in Shibori textile dyeing. This provided an unusual and delicate pattern on the wax paper which I call Shibori-esque. I rolled a sheet of wax paper on a narrow wooden dowel and then pushed the paper down exactly like the pole-wrapping technique (minus the string) used in Japan to dye textiles.
Brent masterfully incorporated the wrinkles of the wax paper with it’s lacey creases in an overlay of pale yellow on a darker orange ground. This print is the second of what will be a series of three 3-color reduction linocuts published by Santo Press. You can read about Web Mesh, the first print of the series here.
Web Pathway; 2017, reduction linocut; 10″ x 8″ on 14″ x 11″ paper; variable edition of 30; published by SantoPress.
A close look at the Shibori-esque wax paper filled with delicate crinkles and patterns.
Placing the Shibori-esque wax paper on inked plate for 3rd color off-set.
Brent using a roller to offset print the 3rd color. The hand pressure exerted by the brayer causes the crinkled wax paper to push into the ink, leaving it’s crazed, lace-like markings in the ink.
The wax paper is removed, taking away a layer of ink–and leaving the crinkled impression behind. The 2-color print is then run through the press transferring the Shibori-esque, crinkled texture of the wax paper as the third and final color.
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